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Le Villi: “Ei giunge!” … “Torna ai felici dì” album cover

ISRC

USSM11503994

Le Villi: “Ei giunge!” … “Torna ai felici dì”

Song: Le Villi: Atto II. Scene dramatica, romanza "Torna ai felici di" (Roberto)

Jonas KaufmannOrchestra dell’Accademia Nazionale di Santa CeciliaAntonio Pappano

Last verified:

USSM11503994 is the International Standard Recording Code (ISRC) for the recording “Le Villi: “Ei giunge!” … “Torna ai felici dì”” by Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
15Year (2015)
03994Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Le Villi: “Ei giunge!” … “Torna ai felici dì”" by Jonas Kaufmann?
The ISRC for "Le Villi: “Ei giunge!” … “Torna ai felici dì”" by Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano is USSM11503994.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM11503994?

USSM11503994 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Le Villi: “Ei giunge!” … “Torna ai felici dì”” by Jonas Kaufmann, Orchestra dell’Accademia Nazionale di Santa Cecilia, Antonio Pappano. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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