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ISRC

USSM11605168

Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!"

Song: Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!"

Mack HarrellRCA Victor OrchestraRobert Shaw

Last verified:

USSM11605168 is the International Standard Recording Code (ISRC) for the recording "Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!"" by Mack Harrell, RCA Victor Orchestra, Robert Shaw. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
16Year (2016)
05168Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!"" by Mack Harrell?
The ISRC for "Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!"" by Mack Harrell, RCA Victor Orchestra, Robert Shaw is USSM11605168.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM11605168?

USSM11605168 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Ich habe genug, BWV 82: No. 4. Recitative: "Mein Gott! wenn kömmt das schöne: Nun!"" by Mack Harrell, RCA Victor Orchestra, Robert Shaw. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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