*NSTYNCT (FEAT. SKEME & OG MACO) album cover

ISRC

USSM11709116

*NSTYNCT (FEAT. SKEME & OG MACO)

Song: NSTYNCT

THE NEIGHBOURHOOD
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USSM11709116 is the International Standard Recording Code (ISRC) for the recording "*NSTYNCT (FEAT. SKEME & OG MACO)" by THE NEIGHBOURHOOD. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEREMY ALLEN FREEDMAN, ZACH SHANE ABELS, JESSE J RUTHERFORD, and others.

Format

USCountry
SM1Registrant
17Year (2017)
09116Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC*NSTYNCT (FEAT. SKEME & OG MACO)

People also ask

What is the ISRC for "*NSTYNCT (FEAT. SKEME & OG MACO)" by THE NEIGHBOURHOOD?
The ISRC for "*NSTYNCT (FEAT. SKEME & OG MACO)" by THE NEIGHBOURHOOD is USSM11709116.
Who wrote "*NSTYNCT (FEAT. SKEME & OG MACO)"?
"*NSTYNCT (FEAT. SKEME & OG MACO)" was written by JEREMY ALLEN FREEDMAN, ZACH SHANE ABELS, JESSE J RUTHERFORD, JONATHAN JACOB DORR, MICHAEL BLAKE JR MARGOTT, LONNIE KIMBLE SR., MACO MATTOX, CECIL BERNARDY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM11709116?

USSM11709116 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "*NSTYNCT (FEAT. SKEME & OG MACO)" by THE NEIGHBOURHOOD. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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