FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH] album cover

ISRC

USSM12208423

FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]

Song: FAM GOOD WE GOOD

DJ KHALED
matched

Last verified:

USSM12208423 is the International Standard Recording Code (ISRC) for the recording "FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]" by DJ KHALED. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by INCONNU COMPOSITEUR AUTEUR, NICHOLAS M WARWAR, TARIK AZZOUZ, and others.

Format

USCountry
SM1Registrant
22Year (2022)
08423Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]

People also ask

What is the ISRC for "FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]" by DJ KHALED?
The ISRC for "FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]" by DJ KHALED is USSM12208423.
Who wrote "FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]"?
"FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]" was written by INCONNU COMPOSITEUR AUTEUR, NICHOLAS M WARWAR, TARIK AZZOUZ, SERGIO KITCHENS, MAXIME BRETON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM12208423?

USSM12208423 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FAM GOOD, WE GOOD [FEAT. GUNNA, RODDY RICCH]" by DJ KHALED. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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