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this is how a woman leaves album cover

ISRC

USSM12404912

this is how a woman leaves

Song: THIS IS HOW A WOMAN LEAVES

Maren Morris
matched
Released 2025-05-09

Last verified:

USSM12404912 is the International Standard Recording Code (ISRC) for the recording “this is how a woman leaves” by Maren Morris, released 2025-05-09. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAREN LARAE MORRIS, SARAH JANE BUXTON, MADELINE LEE DIAZ SVALGARD.

Format

USCountry
SM1Registrant
24Year (2024)
04912Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCthis is how a woman leaves
IPIMAREN LARAE MORRIS

People also ask

What is the ISRC for "this is how a woman leaves" by Maren Morris?
The ISRC for "this is how a woman leaves" by Maren Morris is USSM12404912.
Who wrote "this is how a woman leaves"?
"this is how a woman leaves" was written by MAREN LARAE MORRIS, SARAH JANE BUXTON, MADELINE LEE DIAZ SVALGARD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM12404912?

USSM12404912 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “this is how a woman leaves” by Maren Morris. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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