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FASCINATIN RHYTHM (FROM LADY, BE GOOD!) album cover

ISRC

USSM15800719

FASCINATIN RHYTHM (FROM LADY, BE GOOD!)

Song: SO AM I (FROM 'LADY BE GOOD')

TONY BENNETT
matched

Last verified:

USSM15800719 is the International Standard Recording Code (ISRC) for the recording "FASCINATIN RHYTHM (FROM LADY, BE GOOD!)" by TONY BENNETT. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by G. GERSHWIN.

Format

USCountry
SM1Registrant
58Year (1958)
00719Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1958):
Last two digits of the reference year (1958). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

G. GERSHWINComposer
WC MUSIC CORP. OriginalPublisherIPI: 00392888203

Who publishes this song?

WC MUSIC CORP.OriginalPublisher
IPI: 00392888203
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "FASCINATIN RHYTHM (FROM LADY, BE GOOD!)" by TONY BENNETT?
The ISRC for "FASCINATIN RHYTHM (FROM LADY, BE GOOD!)" by TONY BENNETT is USSM15800719.
Who wrote "FASCINATIN RHYTHM (FROM LADY, BE GOOD!)"?
"FASCINATIN RHYTHM (FROM LADY, BE GOOD!)" was written by G. GERSHWIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM15800719?

USSM15800719 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FASCINATIN RHYTHM (FROM LADY, BE GOOD!)" by TONY BENNETT. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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