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ISRC

USSM16000970

Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto

Song: Concerto for Flute and Orchestra in G major, K. 313/285c: III. Rondeau. Tempo de Menuetto

William KincaidThe Philadelphia OrchestraEugene Ormandy

Last verified:

USSM16000970 is the International Standard Recording Code (ISRC) for the recording "Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto" by William Kincaid, The Philadelphia Orchestra, Eugene Ormandy. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
60Year (1960)
00970Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1960):
Last two digits of the reference year (1960). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto" by William Kincaid?
The ISRC for "Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto" by William Kincaid, The Philadelphia Orchestra, Eugene Ormandy is USSM16000970.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16000970?

USSM16000970 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Concerto for Flute No. 1 in G major, K. 285c/313: III. Tempo di menuetto" by William Kincaid, The Philadelphia Orchestra, Eugene Ormandy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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