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ISRC

USSM16401071

The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place"

John ReardonAlexander YoungRoyal Philharmonic OrchestraIgor Stravinsky

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USSM16401071 is the International Standard Recording Code (ISRC) for the recording "The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place"" by John Reardon, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
64Year (1964)
01071Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1964):
Last two digits of the reference year (1964). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place"" by John Reardon?
The ISRC for "The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place"" by John Reardon, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky is USSM16401071.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16401071?

USSM16401071 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Rake's Progress: Act III, Scene II. "How Dark and Dreadful Is This Place"" by John Reardon, Alexander Young, Royal Philharmonic Orchestra, Igor Stravinsky. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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