ISRC
Song: Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto
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The ISRC for “Concerto for Piano and Orchestra in F: II. Adagio - Andante con moto” by Gilbert Johnson is USSM16700467. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1967-01-01. The underlying musical work is . Written by IRA GERSHWIN.
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Musical Work (ISWC)
T-070025723-3Concerto for Piano and Orchestra in F major: II. Adagio - Andante con motoUSSM16700467 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Concerto for Piano and Orchestra in F: II. Adagio - Andante con moto” by Gilbert Johnson, Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T-070025723-3, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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MLC Song Code
Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
USSM16700468Philippe Entremont, The Philadelphia Orchestra, Eugene Ormandy
USSM16700466William Warfield, The Philadelphia Orchestra, Eugene Ormandy
USSM10205228The Philadelphia Orchestra, Eugene Ormandy
USSM16800880Richard P. Condie, The Tabernacle Choir at Temple Square, The Philadelphia Orchestra, Eugene Ormandy
The ISRC for “Concerto for Piano and Orchestra in F: II. Adagio - Andante con moto” by Gilbert Johnson is USSM16700467. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Released 1967-01-01. The underlying musical work is ISWC T-070025723-3. Written by IRA GERSHWIN.
