Writing on the Wall album cover

ISRC

USSM17600674

Writing on the Wall

Song: WRITING ON THE WALL

Ted Nugent
matched

Last verified:

USSM17600674 is the International Standard Recording Code (ISRC) for the recording “Writing on the Wall by Ted Nugent. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THEODORE NUGENT.

Format

USCountry
SM1Registrant
76Year (1976)
00674Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1976):
Last two digits of the reference year (1976). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

THEODORE NUGENTComposer
MAGICLAND MUSIC OriginalPublisher0.00%IPI: 00087457925
CONCORD BLUFF WORKS OriginalPublisher100.00%IPI: 01233872064

Who publishes this song?

MAGICLAND MUSICOriginalPublisher
IPI: 00087457925
CONCORD BLUFF WORKSOriginalPublisher
IPI: 01233872064

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Writing on the Wall" by Ted Nugent?
The ISRC for "Writing on the Wall" by Ted Nugent is USSM17600674.
Who wrote "Writing on the Wall"?
"Writing on the Wall" was written by THEODORE NUGENT.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM17600674?

USSM17600674 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Writing on the Wall by Ted Nugent. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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