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ISRC

USSM19303238

Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel)

Song: Die Schöpfung, Hob XXI:2: Part II: XXIII. Rezitativ: Und Gott schuf den Menschen

Jörg HeringTafelmusikBruno Weil

Last verified:

USSM19303238 is the International Standard Recording Code (ISRC) for the recording "Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel)" by Jörg Hering, Tafelmusik, Bruno Weil. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
93Year (1993)
03238Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel)" by Jörg Hering?
The ISRC for "Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel)" by Jörg Hering, Tafelmusik, Bruno Weil is USSM19303238.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19303238?

USSM19303238 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Die Schöpfung, Hob. XX1:2: Part II, no. 23. Rezitativ "Und Gott schuf den Menschen" (Uriel)" by Jörg Hering, Tafelmusik, Bruno Weil. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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