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Carnival of the Animals: VII. Aquarium album cover

ISRC

USSM19402279

Carnival of the Animals: VII. Aquarium

Song: THE CARNIVAL OF THE ANIMALS

Boston Symphony OrchestraSeiji Ozawa
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Last verified:

USSM19402279 is the International Standard Recording Code (ISRC) for the recording "Carnival of the Animals: VII. Aquarium" by Boston Symphony Orchestra, Seiji Ozawa. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SAINT-SAENS.

Format

USCountry
SM1Registrant
94Year (1994)
02279Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SAINT-SAENSComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Carnival of the Animals: VII. Aquarium" by Boston Symphony Orchestra?
The ISRC for "Carnival of the Animals: VII. Aquarium" by Boston Symphony Orchestra, Seiji Ozawa is USSM19402279.
Who wrote "Carnival of the Animals: VII. Aquarium"?
"Carnival of the Animals: VII. Aquarium" was written by SAINT-SAENS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19402279?

USSM19402279 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Carnival of the Animals: VII. Aquarium" by Boston Symphony Orchestra, Seiji Ozawa. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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