Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto album cover

ISRC

USSM19402507

Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto

Song: 2. ADAGIO MOLTO

Glenn Gould
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Last verified:

USSM19402507 is the International Standard Recording Code (ISRC) for the recording "Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto" by Glenn Gould. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUDWIG VAN BEETHOVEN.

Format

USCountry
SM1Registrant
94Year (1994)
02507Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1994):
Last two digits of the reference year (1994). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

LUDWIG VAN BEETHOVENComposerLyricist
SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto" by Glenn Gould?
The ISRC for "Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto" by Glenn Gould is USSM19402507.
Who wrote "Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto"?
"Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto" was written by LUDWIG VAN BEETHOVEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19402507?

USSM19402507 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto" by Glenn Gould. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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