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DIDN'T I (BLOW YOUR MIND THIS TIME) album cover

ISRC

USSM19500050

DIDN'T I (BLOW YOUR MIND THIS TIME)

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USSM19500050 is the International Standard Recording Code (ISRC) for the recording "DIDN'T I (BLOW YOUR MIND THIS TIME)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRUCE ANTHONY COLSTON, DUPRE KELLY, WILLIAM HART, and others.

Format

USCountry
SM1Registrant
95Year (1995)
00050Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDIDN'T I (BLOW YOUR MIND THIS TIME)
IPIBRUCE ANTHONY COLSTON

Related

Songwriter profiles

BRUCE ANTHONY COLSTONIPIDUPRE KELLYIPIWILLIAM HARTIPIAL-TERIK AKA FUNKMAN WARDRICKIPILEROY M BELLIPIJAMES CASEYIPI

People also ask

What is the ISRC for "DIDN'T I (BLOW YOUR MIND THIS TIME)"?
The ISRC for "DIDN'T I (BLOW YOUR MIND THIS TIME)" is USSM19500050.
Who wrote "DIDN'T I (BLOW YOUR MIND THIS TIME)"?
"DIDN'T I (BLOW YOUR MIND THIS TIME)" was written by BRUCE ANTHONY COLSTON, DUPRE KELLY, WILLIAM HART, AL-TERIK AKA FUNKMAN WARDRICK, LEROY M BELL, JAMES CASEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19500050?

USSM19500050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DIDN'T I (BLOW YOUR MIND THIS TIME)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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