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Queen of Compromise album cover

ISRC

USSM19500870

Queen of Compromise

Song: QUEEN OF COMPROMISE

Tears for Fears
matched
Released 2009-08-17

Last verified:

USSM19500870 is the International Standard Recording Code (ISRC) for the recording "Queen of Compromise" by Tears for Fears, released 2009-08-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROLAND ORZABAL, ALAN GRIFFITHS, GAIL ANN DORSEY, and others.

Format

USCountry
SM1Registrant
95Year (1995)
00870Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCQueen of Compromise
IPIROLAND ORZABAL

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Songwriter profiles

ROLAND ORZABALIPIALAN GRIFFITHSIPIGAIL ANN DORSEYIPIJEBIN BRUNIIPIJEFFREY TROTTIPIBRIAN MACLEODIPI

People also ask

What is the ISRC for "Queen of Compromise" by Tears for Fears?
The ISRC for "Queen of Compromise" by Tears for Fears is USSM19500870.
Who wrote "Queen of Compromise"?
"Queen of Compromise" was written by ROLAND ORZABAL, ALAN GRIFFITHS, GAIL ANN DORSEY, JEBIN BRUNI, GAIL DORSEY, JEFFREY TROTT, BRIAN MACLEOD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19500870?

USSM19500870 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Queen of Compromise" by Tears for Fears. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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