Requiem, K. 626: III. Sequenz: 2. Tuba mirum album cover

ISRC

USSM19921980

Requiem, K. 626: III. Sequenz: 2. Tuba mirum

Song: REQUIM K. 626 : TUBA MIRUM

TafelmusikBruno Weil
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Last verified:

USSM19921980 is the International Standard Recording Code (ISRC) for the recording “Requiem, K. 626: III. Sequenz: 2. Tuba mirum by Tafelmusik, Bruno Weil. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by WOLFGANG AMADEUS MOZART, WILLIAM FREDERICK MILLS.

Format

USCountry
SM1Registrant
99Year (1999)
21980Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCRequiem, K. 626: III. Sequenz: 2. Tuba mirum

People also ask

What is the ISRC for "Requiem, K. 626: III. Sequenz: 2. Tuba mirum" by Tafelmusik?
The ISRC for "Requiem, K. 626: III. Sequenz: 2. Tuba mirum" by Tafelmusik, Bruno Weil is USSM19921980.
Who wrote "Requiem, K. 626: III. Sequenz: 2. Tuba mirum"?
"Requiem, K. 626: III. Sequenz: 2. Tuba mirum" was written by WOLFGANG AMADEUS MOZART, WILLIAM FREDERICK MILLS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19921980?

USSM19921980 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Requiem, K. 626: III. Sequenz: 2. Tuba mirum by Tafelmusik, Bruno Weil. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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