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THE BELLBOY ONE LAST CRUSH album cover

ISRC

USSUB2571419

THE BELLBOY ONE LAST CRUSH

Song: THE BELLBOY

SUKI WATERHOUSE
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USSUB2571419 is the International Standard Recording Code (ISRC) for the recording "THE BELLBOY ONE LAST CRUSH" by SUKI WATERHOUSE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JONATHAN CHARLES COFFER, SUKI WATERHOUSE, NATALIE ROSE FINDLAY, and others.

Format

USCountry
SUBRegistrant
25Year (2025)
71419Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCTHE BELLBOY ONE LAST CRUSH
IPIJONATHAN CHARLES COFFER

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Songwriter profiles

JONATHAN CHARLES COFFERIPINATALIE ROSE FINDLAYIPIAMANDA GHOSTIPIALEXIS IDAROSE KESSELMANIPI

People also ask

What is the ISRC for "THE BELLBOY ONE LAST CRUSH" by SUKI WATERHOUSE?
The ISRC for "THE BELLBOY ONE LAST CRUSH" by SUKI WATERHOUSE is USSUB2571419.
Who wrote "THE BELLBOY ONE LAST CRUSH"?
"THE BELLBOY ONE LAST CRUSH" was written by JONATHAN CHARLES COFFER, SUKI WATERHOUSE, NATALIE ROSE FINDLAY, AMANDA GHOST, ALEXIS IDAROSE KESSELMAN, EJ SAFTNER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSUB2571419?

USSUB2571419 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "THE BELLBOY ONE LAST CRUSH" by SUKI WATERHOUSE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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