ISRC

USSYS0100550

SWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]

Song: SWINGING FOR THE FENCE

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USSYS0100550 is the International Standard Recording Code (ISRC) for the recording “SWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BILLY HAROLD DEAN, RAY BARNETTE.

Format

USCountry
SYSRegistrant
01Year (2001)
00550Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2001):
Last two digits of the reference year (2001). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]

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People also ask

What is the ISRC for "SWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]"?
The ISRC for "SWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]" is USSYS0100550.
Who wrote "SWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]"?
"SWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]" was written by BILLY HAROLD DEAN, RAY BARNETTE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSYS0100550?

USSYS0100550 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SWINGING FOR THE FENCE (MADE POPULAR BY BILLY DEAN) [BACKING VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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