ISRC

USSYS1044153

ENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]

Song: ENTRA EN MI VIDA

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USSYS1044153 is the International Standard Recording Code (ISRC) for the recording “ENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NAHUEL SCHAJRIS RODRIGUEZ, LEONEL GARCIA NUNEZ DE CACERES.

Format

USCountry
SYSRegistrant
10Year (2010)
44153Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]

People also ask

What is the ISRC for "ENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]"?
The ISRC for "ENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]" is USSYS1044153.
Who wrote "ENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]"?
"ENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]" was written by NAHUEL SCHAJRIS RODRIGUEZ, LEONEL GARCIA NUNEZ DE CACERES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSYS1044153?

USSYS1044153 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “ENTRA EN MI VIDA (MADE POPULAR BY SIN BANDERA) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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