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ISRC

USTFD1109899

O MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)

Song: "O MIO BABBINO CARO (FROM: ""GIANNI SCHICCHI"")"

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USTFD1109899 is the International Standard Recording Code (ISRC) for the recording “O MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GIANCARLO CHIARAMELLO, G. PUCCINI.

Format

USCountry
TFDRegistrant
11Year (2011)
09899Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCO MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)
IPIGIANCARLO CHIARAMELLO

Related

Songwriter profiles

GIANCARLO CHIARAMELLOIPI

People also ask

What is the ISRC for "O MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)"?
The ISRC for "O MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)" is USTFD1109899.
Who wrote "O MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)"?
"O MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)" was written by GIANCARLO CHIARAMELLO, G. PUCCINI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USTFD1109899?

USTFD1109899 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “O MIO BABBINO CARO (BACKING TRACK WITHOUT BACKGROUND VOCALS)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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