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This Is How I Thank The Lord album cover

ISRC

USUG12205502

This Is How I Thank The Lord

Song: THIS IS HOW I THANK THE LORD

Mosaic MSCCody CarnesAmanda CookJoe L Barnes
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Last verified:

USUG12205502 is the International Standard Recording Code (ISRC) for the recording “This Is How I Thank The Lord” by Mosaic MSC, Cody Carnes, Amanda Cook, Joe L Barnes. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ROBERT AHOLOKA, ANDRES FIGUEROA, MARIAH MCMANUS.

Format

USCountry
UG1Registrant
22Year (2022)
05502Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCThis Is How I Thank The Lord
IPIROBERT AHOLOKA

People also ask

What is the ISRC for "This Is How I Thank The Lord" by Mosaic MSC?
The ISRC for "This Is How I Thank The Lord" by Mosaic MSC, Cody Carnes, Amanda Cook, Joe L Barnes is USUG12205502.
Who wrote "This Is How I Thank The Lord"?
"This Is How I Thank The Lord" was written by ROBERT AHOLOKA, ANDRES FIGUEROA, MARIAH MCMANUS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUG12205502?

USUG12205502 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “This Is How I Thank The Lord” by Mosaic MSC, Cody Carnes, Amanda Cook, Joe L Barnes. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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