METRO SPIDER album cover

ISRC

USUG12209461

METRO SPIDER

METRO BOOMINMETRO BOOMIN & YOUNG THUGYOUNG THUGYOUNG THUG METRO BOOMIN
unmatchedNot yet matched in the MLC database

Last verified:

USUG12209461 is the International Standard Recording Code (ISRC) for the recording “METRO SPIDER by METRO BOOMIN, METRO BOOMIN & YOUNG THUG, YOUNG THUG, YOUNG THUG METRO BOOMIN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NIK FRASCONA, PAUL OMAR ELKAN AGYEI, LELAND TYLER WAYNE, and others.

Format

USCountry
UG1Registrant
22Year (2022)
09461Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMETRO SPIDER

People also ask

What is the ISRC for "METRO SPIDER" by METRO BOOMIN?
The ISRC for "METRO SPIDER" by METRO BOOMIN, METRO BOOMIN & YOUNG THUG, YOUNG THUG, YOUNG THUG METRO BOOMIN is USUG12209461.
Who wrote "METRO SPIDER"?
"METRO SPIDER" was written by NIK FRASCONA, PAUL OMAR ELKAN AGYEI, LELAND TYLER WAYNE, JEFFREY WILLIAMS, OZAN YILDRIM, ALLEN RITTER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUG12209461?

USUG12209461 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “METRO SPIDER by METRO BOOMIN, METRO BOOMIN & YOUNG THUG, YOUNG THUG, YOUNG THUG METRO BOOMIN. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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