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LLENA DE AMOR album cover

ISRC

USUM71019631

LLENA DE AMOR

LUIS FONSILUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZALUIS FONSI & STEFFLON DON
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Last verified:

USUM71019631 is the International Standard Recording Code (ISRC) for the recording "LLENA DE AMOR" by LUIS FONSI, LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA, LUIS FONSI & STEFFLON DON. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUIS FONSI, JORGE EDUARDO MURGUIA, MAURICIO LOPEZ DE ARRIAGA HERNANDEZ.

Format

USCountry
UM7Registrant
10Year (2010)
19631Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLLENA DE AMOR
IPILUIS FONSI

People also ask

What is the ISRC for "LLENA DE AMOR" by LUIS FONSI?
The ISRC for "LLENA DE AMOR" by LUIS FONSI, LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA, LUIS FONSI & STEFFLON DON is USUM71019631.
Who wrote "LLENA DE AMOR"?
"LLENA DE AMOR" was written by LUIS FONSI, JORGE EDUARDO MURGUIA, MAURICIO LOPEZ DE ARRIAGA HERNANDEZ.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71019631?

USUM71019631 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LLENA DE AMOR" by LUIS FONSI, LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA, LUIS FONSI & STEFFLON DON. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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