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Half Asleep album cover

ISRC

USUM71407503

Half Asleep2

Song: HALF ASLEEP

Blake Mills
matched
Released 2014-09-16

Last verified:

USUM71407503 is the International Standard Recording Code (ISRC) for the recording “Half Asleep” by Blake Mills, released 2014-09-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BLAKE MILLS.

Format

USCountry
UM7Registrant
14Year (2014)
07503Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BLAKE MILLSComposer
BREAK MIRRORS PUBLISHING OriginalPublisherIPI: 00698130810
PEERMUSIC III LTD OriginalPublisherIPI: 00183126677

Who publishes this song?

BREAK MIRRORS PUBLISHINGOriginalPublisher
IPI: 00698130810
PEERMUSIC III LTDOriginalPublisher
IPI: 00183126677

Credits Graph

MLC Song Code

HV8UBS
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Half Asleep" by Blake Mills?
The ISRC for "Half Asleep" by Blake Mills is USUM71407503.
Who wrote "Half Asleep"?
"Half Asleep" was written by BLAKE MILLS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71407503?

USUM71407503 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Half Asleep” by Blake Mills. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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