Riff Off✓2

The ISRC for “Riff Off” by Das Sound Machine is USUM71504642.

The ISWC for “What’s Love Got to Do With It” is T-010885622-9. This recording is titled “Riff Off”. The ISRC USUM71504642 identifies this specific recording; the ISWC identifies the underlying musical work shared by all versions.

“What’s Love Got to Do With It” was written by BEYONCE GISSELLE KNOWLES, DESMOND CHILD, ROBERT D FUSARI, CRAIG MICHAEL WISEMAN, MONTELL DU SEAN JORDAN, FALONTE D MOORE, "TREVOR ""BUSTA RHYMES"" SMITH", SIA KATE I FURLER, GRAHAM HAMILTON LYLE, KAMAAL IBN JOHN FAREED, TAYLOR ALISON SWIFT, FAHEEM RASHEED NAJM, TRAMAR DILLARD, DRACO CORNELIUS ROSA, JOHAN KARL SCHUSTER, RICKY M L WALTERS, LOUIS M FREEZE, LARRY E MUGGERUD, JOSEPH PAUL LONGO, MARQUIS T COLLINS, TIM KELLEY, MARK A ANDREWS, HARRY WAYNE CASEY, OJI PIERCE, MALIK TAYLOR, ANTHONY RAY, SAMSON COSRAY SMITH, HOWARD SIMMONS, JAMES JR. JACKSON, STEPHANIE LYNN NICKS, RICHARD FINCH, KOREY ROBERSON, ALI SHAHEED MUHAMMAD, VANESSA CARLTON, CHRIS TOMPKINS, MONTAY HUMPHREY, ELLIOTT STRAITE, JERRY CORBITT, JASON MARLON MOORE, SENEN REYES, LAURYN N. HILL, BRYAN HIGGINS, CHRISTIAN NICOLAS GUZMAN, BOB ROBINSON, MARTIN MAX SANDBERG, TIM NICHOLS, TERRY BRITTEN, JOSH KEAR. The ISWC for this composition is T-010885622-9.

The publishers credited on “What’s Love Got to Do With It” include: MO SWANG PUBLISHING. These publishers administer the writers' shares in this recording's underlying composition. Credits.fm reports registered publisher credits, not legal copyright ownership.

An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. USUM71504642 is the ISRC for this recording; T-010885622-9 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.