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Buried in Detroit (Lucas Löwe remix) album cover

ISRC

USUM71602533

Buried in Detroit (Lucas Löwe remix)

Song: BURIED IN DETROIT

Mike PosnerBig Sean
unmatchedNot yet matched in the MLC database
Released 2016-01-01

Last verified:

USUM71602533 is the International Standard Recording Code (ISRC) for the recording “Buried in Detroit (Lucas Löwe remix)” by Mike Posner, Big Sean, released 2016-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MICHAEL ROBERT HENRION POSNER.

Format

USCountry
UM7Registrant
16Year (2016)
02533Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBuried in Detroit (Lucas Löwe remix)
IPIMICHAEL ROBERT HENRION POSNER

People also ask

What is the ISRC for "Buried in Detroit (Lucas Löwe remix)" by Mike Posner?
The ISRC for "Buried in Detroit (Lucas Löwe remix)" by Mike Posner, Big Sean is USUM71602533.
Who wrote "Buried in Detroit (Lucas Löwe remix)"?
"Buried in Detroit (Lucas Löwe remix)" was written by MICHAEL ROBERT HENRION POSNER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71602533?

USUM71602533 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Buried in Detroit (Lucas Löwe remix)” by Mike Posner, Big Sean. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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