Nice Boys (1986 Sound City session) album cover

ISRC

USUM71803917

Nice Boys (1986 Sound City session)

Song: NICE BOYS

Guns N’ Roses
matched
Released 2018-01-01

Last verified:

USUM71803917 is the International Standard Recording Code (ISRC) for the recording “Nice Boys (1986 Sound City session) by Guns N’ Roses, released 2018-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DALLAS LESLIE ROYALL, MICHAEL THOMAS COCKS, GARY STEPHEN ANDERSON, and others.

Format

USCountry
UM7Registrant
18Year (2018)
03917Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2018):
Last two digits of the reference year (2018). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNice Boys (1986 Sound City session)

People also ask

What is the ISRC for "Nice Boys (1986 Sound City session)" by Guns N’ Roses?
The ISRC for "Nice Boys (1986 Sound City session)" by Guns N’ Roses is USUM71803917.
Who wrote "Nice Boys (1986 Sound City session)"?
"Nice Boys (1986 Sound City session)" was written by DALLAS LESLIE ROYALL, MICHAEL THOMAS COCKS, GARY STEPHEN ANDERSON, GORDON LEACH, PETER WILLIAM WELLS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71803917?

USUM71803917 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Nice Boys (1986 Sound City session) by Guns N’ Roses. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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