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Still Flying album cover

ISRC

USUM72002833

Still Flying

Song: STILL FLYING

Bridget KearneyBenjamin Lazar DavisStevo Atambire
unmatchedNot yet matched in the MLC database
Released 2020-05-08

Last verified:

USUM72002833 is the International Standard Recording Code (ISRC) for the recording "Still Flying" by Bridget Kearney, Benjamin Lazar Davis, Stevo Atambire, released 2020-05-08. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRIDGET ELLEN KEARNEY, BENJAMIN DAVIS, STEVO ATAMBIRE, and others.

Format

USCountry
UM7Registrant
20Year (2020)
02833Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCStill Flying
IPIBRIDGET ELLEN KEARNEY

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Songwriter profiles

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People also ask

What is the ISRC for "Still Flying" by Bridget Kearney?
The ISRC for "Still Flying" by Bridget Kearney, Benjamin Lazar Davis, Stevo Atambire is USUM72002833.
Who wrote "Still Flying"?
"Still Flying" was written by BRIDGET ELLEN KEARNEY, BENJAMIN DAVIS, STEVO ATAMBIRE, AARON BEBE SUKURA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72002833?

USUM72002833 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Still Flying" by Bridget Kearney, Benjamin Lazar Davis, Stevo Atambire. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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