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SAN JUAN album cover

ISRC

USUM72402711

SAN JUAN

JAY WHEELERLUIS FONSILUIS FONSI & JAY WHEELERLUIS FONSI JAY WHEELERLUIS FONSI;JAY WHEELER
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Released 2024-05-17

Last verified:

USUM72402711 is the International Standard Recording Code (ISRC) for the recording “SAN JUAN” by JAY WHEELER, LUIS FONSI, LUIS FONSI & JAY WHEELER, LUIS FONSI JAY WHEELER, LUIS FONSI;JAY WHEELER, released 2024-05-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAURICIO RENGIFO, LUIS FONSI, ANDRES TORRES TORRES.

Format

USCountry
UM7Registrant
24Year (2024)
02711Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSAN JUAN
IPIMAURICIO RENGIFO

People also ask

What is the ISRC for "SAN JUAN" by JAY WHEELER?
The ISRC for "SAN JUAN" by JAY WHEELER, LUIS FONSI, LUIS FONSI & JAY WHEELER, LUIS FONSI JAY WHEELER, LUIS FONSI;JAY WHEELER is USUM72402711.
Who wrote "SAN JUAN"?
"SAN JUAN" was written by MAURICIO RENGIFO, LUIS FONSI, ANDRES TORRES TORRES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72402711?

USUM72402711 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SAN JUAN” by JAY WHEELER, LUIS FONSI, LUIS FONSI & JAY WHEELER, LUIS FONSI JAY WHEELER, LUIS FONSI;JAY WHEELER. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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