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WAKE UP! (FEAT. JUICE WRLD) album cover

ISRC

USUM72406357

WAKE UP! (FEAT. JUICE WRLD)4

Song: WAKE UP!

SKI MASK THE SLUMP GODJUICE WRLD
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USUM72406357 is the International Standard Recording Code (ISRC) for the recording “WAKE UP! (FEAT. JUICE WRLD)” by SKI MASK THE SLUMP GOD, JUICE WRLD. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by STOKELEY GOULBOURNE, JARAD HIGGINS, DOMONIC V PATTEN.

Format

USCountry
UM7Registrant
24Year (2024)
06357Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWAKE UP! (FEAT. JUICE WRLD)
IPISTOKELEY GOULBOURNE

Related

Songwriter profiles

STOKELEY GOULBOURNEIPIDOMONIC V PATTENIPI

People also ask

What is the ISRC for "WAKE UP! (FEAT. JUICE WRLD)" by SKI MASK THE SLUMP GOD?
The ISRC for "WAKE UP! (FEAT. JUICE WRLD)" by SKI MASK THE SLUMP GOD, JUICE WRLD is USUM72406357.
Who wrote "WAKE UP! (FEAT. JUICE WRLD)"?
"WAKE UP! (FEAT. JUICE WRLD)" was written by STOKELEY GOULBOURNE, JARAD HIGGINS, DOMONIC V PATTEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72406357?

USUM72406357 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WAKE UP! (FEAT. JUICE WRLD)” by SKI MASK THE SLUMP GOD, JUICE WRLD. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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