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I’M HIS, HE’S MINE album cover

ISRC

USUM72407751

I’M HIS, HE’S MINE

Song: I'M HIS, HE'S MINE

Katy PerryDoechii
matched
Released 2024-09-20

Last verified:

USUM72407751 is the International Standard Recording Code (ISRC) for the recording “I’M HIS, HE’S MINE” by Katy Perry, Doechii, released 2024-09-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THERON MAKIEL THOMAS, LUKASZ GOTTWALD, CRYSTAL WATERS, and others.

Format

USCountry
UM7Registrant
24Year (2024)
07751Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI’M HIS, HE’S MINE
IPITHERON MAKIEL THOMAS

People also ask

What is the ISRC for "I’M HIS, HE’S MINE" by Katy Perry?
The ISRC for "I’M HIS, HE’S MINE" by Katy Perry, Doechii is USUM72407751.
Who wrote "I’M HIS, HE’S MINE"?
"I’M HIS, HE’S MINE" was written by THERON MAKIEL THOMAS, LUKASZ GOTTWALD, CRYSTAL WATERS, ROCCO VALDES, KATHERYN ELIZABETH HUDSON, FERRAS MAHMOUD ALQAISI, NEAL CONWAY, GAMAL LEWIS, JAYLAH JI MYA HICKMON, RYAN OGREN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72407751?

USUM72407751 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I’M HIS, HE’S MINE” by Katy Perry, Doechii. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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