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FORFEIT. (FEAT. LUCKY DAYE) album cover

ISRC

USUM72503594

FORFEIT. (FEAT. LUCKY DAYE)

Song: FORFEIT

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Last verified:

USUM72503594 is the International Standard Recording Code (ISRC) for the recording "FORFEIT. (FEAT. LUCKY DAYE)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KIANA BROWN, DAVID BROWN, DERRICK CARRINGTON GRAY, and others.

Format

USCountry
UM7Registrant
25Year (2025)
03594Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2025):
Last two digits of the reference year (2025). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCFORFEIT. (FEAT. LUCKY DAYE)
IPIKIANA BROWN

Related

Songwriter profiles

KIANA BROWNIPIDAVID BROWNIPIDERRICK CARRINGTON GRAYIPIPATRICK FRANCIS MCMANUSIPIKENDALL ROARK BAILEYIPIREESE HINTONIPI

People also ask

What is the ISRC for "FORFEIT. (FEAT. LUCKY DAYE)"?
The ISRC for "FORFEIT. (FEAT. LUCKY DAYE)" is USUM72503594.
Who wrote "FORFEIT. (FEAT. LUCKY DAYE)"?
"FORFEIT. (FEAT. LUCKY DAYE)" was written by KIANA BROWN, DAVID BROWN, DERRICK CARRINGTON GRAY, PATRICK FRANCIS MCMANUS, KENDALL ROARK BAILEY, KEVIN WHITE, MICHAEL MCCALL, REESE HINTON, MIKE WOODS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72503594?

USUM72503594 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "FORFEIT. (FEAT. LUCKY DAYE)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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