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You Don't Have to Love Me album cover

ISRC

USUR10000567

You Don't Have to Love Me2

Song: YOU DON'T HAVE TO LOVE ME

Monifah
unmatchedNot yet matched in the MLC database
Released 1996-05-21

Last verified:

USUR10000567 is the International Standard Recording Code (ISRC) for the recording “You Don't Have to Love Me” by Monifah, released 1996-05-21. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KIPPER JONES, TERRIE ROBINSON, DWIGHT MYERS.

Format

USCountry
UR1Registrant
00Year (2000)
00567Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KIPPER JONESComposer
TERRIE ROBINSONComposer
DWIGHT MYERSComposer

Credits Graph

MLC Song Code

Y03732
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "You Don't Have to Love Me" by Monifah?
The ISRC for "You Don't Have to Love Me" by Monifah is USUR10000567.
Who wrote "You Don't Have to Love Me"?
"You Don't Have to Love Me" was written by KIPPER JONES, TERRIE ROBINSON, DWIGHT MYERS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUR10000567?

USUR10000567 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “You Don't Have to Love Me” by Monifah. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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