04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ album cover

ISRC

USUS12000161

04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ

Song: DAYLIGHT

STEVE AOKI FEAT. TORY LANEZ
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USUS12000161 is the International Standard Recording Code (ISRC) for the recording "04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ" by STEVE AOKI FEAT. TORY LANEZ. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DAYSTAR PETERSON, NOLAN JOSEPH LAMBROZA, STEVE AOKI, and others.

Format

USCountry
US1Registrant
20Year (2020)
00161Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ

People also ask

What is the ISRC for "04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ" by STEVE AOKI FEAT. TORY LANEZ?
The ISRC for "04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ" by STEVE AOKI FEAT. TORY LANEZ is USUS12000161.
Who wrote "04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ"?
"04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ" was written by DAYSTAR PETERSON, NOLAN JOSEPH LAMBROZA, STEVE AOKI, JASON P D BOYD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUS12000161?

USUS12000161 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "04 STEVE AOKI - DAYLIGHT FEAT TORY LANEZ" by STEVE AOKI FEAT. TORY LANEZ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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