ISRC

USUYG1004332

Im Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble)

Lee Majors
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Last verified:

USUYG1004332 is the International Standard Recording Code (ISRC) for the recording “Im Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble) by Lee Majors. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEROLD ELLIS, UNKNOWN WRITER.

Format

USCountry
UYGRegistrant
10Year (2010)
04332Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCIm Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble)

People also ask

What is the ISRC for "Im Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble)" by Lee Majors?
The ISRC for "Im Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble)" by Lee Majors is USUYG1004332.
Who wrote "Im Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble)"?
"Im Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble)" was written by JEROLD ELLIS, UNKNOWN WRITER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1004332?

USUYG1004332 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Im Good (feat. Yukmouth, Killa Klump, Lazy Bone and Young Noble) by Lee Majors. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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