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NASTY FT. FLO MILLI, MULATTO & RUBI ROSE album cover

ISRC

USUYG1334887

NASTY FT. FLO MILLI, MULATTO & RUBI ROSE

Song: NASTY

RICH THE KID
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USUYG1334887 is the International Standard Recording Code (ISRC) for the recording "NASTY FT. FLO MILLI, MULATTO & RUBI ROSE" by RICH THE KID. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SYDNE GEORGE RENEE, ALYSSA STEPHENS, TYRON BUDDAH SR DOUGLAS, and others.

Format

USCountry
UYGRegistrant
13Year (2013)
34887Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNASTY FT. FLO MILLI, MULATTO & RUBI ROSE
IPISYDNE GEORGE RENEE

People also ask

What is the ISRC for "NASTY FT. FLO MILLI, MULATTO & RUBI ROSE" by RICH THE KID?
The ISRC for "NASTY FT. FLO MILLI, MULATTO & RUBI ROSE" by RICH THE KID is USUYG1334887.
Who wrote "NASTY FT. FLO MILLI, MULATTO & RUBI ROSE"?
"NASTY FT. FLO MILLI, MULATTO & RUBI ROSE" was written by SYDNE GEORGE RENEE, ALYSSA STEPHENS, TYRON BUDDAH SR DOUGLAS, TAMIA CARTER, RUBI LANGENHEIM, DEMITRI ROGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1334887?

USUYG1334887 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "NASTY FT. FLO MILLI, MULATTO & RUBI ROSE" by RICH THE KID. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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