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Best I Can album cover

ISRC

USUYG1334933

Best I Can

Song: BEST I CAN

Busta RhymesRapsody
unmatchedNot yet matched in the MLC database
Released 2020-10-28

Last verified:

USUYG1334933 is the International Standard Recording Code (ISRC) for the recording “Best I Can” by Busta Rhymes, Rapsody, released 2020-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by H. MASEKELA.

Format

USCountry
UYGRegistrant
13Year (2013)
34933Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

100%
H. MASEKELAComposer100%
CHERIO CORPORATION KOBALT MUSIC PUB AMERICA INC OriginalPublisherIPI: 00006010061

Who publishes this song?

CHERIO CORPORATION KOBALT MUSIC PUB AMERICA INCOriginalPublisher
IPI: 00006010061

MLC Song Code

I04929
Verify on MLC Portal →
SourcesNotesMusicBrainz2 sources

Verified on

People also ask

What is the ISRC for "Best I Can" by Busta Rhymes?
The ISRC for "Best I Can" by Busta Rhymes, Rapsody is USUYG1334933.
Who wrote "Best I Can"?
"Best I Can" was written by H. MASEKELA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1334933?

USUYG1334933 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Best I Can” by Busta Rhymes, Rapsody. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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