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MORNING (FEAT. MAX B) album cover

ISRC

USUYG1339675

MORNING (FEAT. MAX B)

Song: REAL NIGGAS FOR LIFE (FEAT. FRENCH MONTANA, MAX B & BLANCO)

FRENCH MONTANAMAX B
unmatchedNot yet matched in the MLC database

Last verified:

USUYG1339675 is the International Standard Recording Code (ISRC) for the recording "MORNING (FEAT. MAX B)" by FRENCH MONTANA, MAX B. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUIS RAMOS.

Format

USCountry
UYGRegistrant
13Year (2013)
39675Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

100%
LUIS RAMOSComposer100%
TUNECORE DIGITAL MUSIC OriginalPublisherIPI: 00642005099

Who publishes this song?

TUNECORE DIGITAL MUSICOriginalPublisher
IPI: 00642005099

MLC Song Code

R5513N
Verify on MLC Portal →
SourcesNotes

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People also ask

What is the ISRC for "MORNING (FEAT. MAX B)" by FRENCH MONTANA?
The ISRC for "MORNING (FEAT. MAX B)" by FRENCH MONTANA, MAX B is USUYG1339675.
Who wrote "MORNING (FEAT. MAX B)"?
"MORNING (FEAT. MAX B)" was written by LUIS RAMOS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1339675?

USUYG1339675 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "MORNING (FEAT. MAX B)" by FRENCH MONTANA, MAX B. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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