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Don’t Go Over There album cover

ISRC

USUYG1340557

Don’t Go Over There

Song: DON'T GO OVER THERE

French MontanaFat JoeWale
unmatchedNot yet matched in the MLC database
Released 2012-11-20

Last verified:

USUYG1340557 is the International Standard Recording Code (ISRC) for the recording “Don’t Go Over There” by French Montana, Fat Joe, Wale, released 2012-11-20. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by OLUBOWALE VICTOR AKINTIMEHIN, JOSEPH ANTHONY CARTAGENA, ZALE EPSTEIN, and others.

Format

USCountry
UYGRegistrant
13Year (2013)
40557Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2013):
Last two digits of the reference year (2013). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDon’t Go Over There
IPIOLUBOWALE VICTOR AKINTIMEHIN

People also ask

What is the ISRC for "Don’t Go Over There" by French Montana?
The ISRC for "Don’t Go Over There" by French Montana, Fat Joe, Wale is USUYG1340557.
Who wrote "Don’t Go Over There"?
"Don’t Go Over There" was written by OLUBOWALE VICTOR AKINTIMEHIN, JOSEPH ANTHONY CARTAGENA, ZALE EPSTEIN, KARIM KHARBOUCH, MATTHEW JEHU SAMUELS, BRETT KRUGER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1340557?

USUYG1340557 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Don’t Go Over There” by French Montana, Fat Joe, Wale. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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