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ISRC

USV291454815

I'll Be So Glad

Heather FenoughtyOliver SentonNima TaleghaniAndrew MacbeanLiam McKennaLiam Evans-FordAngus ImrieChristopher BrandThe White Whale Chorus

Last verified:

USV291454815 is the International Standard Recording Code (ISRC) for the recording "I'll Be So Glad" by Heather Fenoughty, Oliver Senton, Nima Taleghani, Andrew Macbean, Liam McKenna, Liam Evans-Ford, Angus Imrie, Christopher Brand, The White Whale Chorus. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
V29Registrant
14Year (2014)
54815Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "I'll Be So Glad" by Heather Fenoughty?
The ISRC for "I'll Be So Glad" by Heather Fenoughty, Oliver Senton, Nima Taleghani, Andrew Macbean, Liam McKenna, Liam Evans-Ford, Angus Imrie, Christopher Brand, The White Whale Chorus is USV291454815.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USV291454815?

USV291454815 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I'll Be So Glad" by Heather Fenoughty, Oliver Senton, Nima Taleghani, Andrew Macbean, Liam McKenna, Liam Evans-Ford, Angus Imrie, Christopher Brand, The White Whale Chorus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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