DIFFERENT SHIT (FEAT. MELISSA MUSIQUE) album cover

ISRC

USVPR2100205

DIFFERENT SHIT (FEAT. MELISSA MUSIQUE)

Song: DIFFERENT SHIT

SPICESPICE FEAT. MELISSA MUSIQUE
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USVPR2100205 is the International Standard Recording Code (ISRC) for the recording "DIFFERENT SHIT (FEAT. MELISSA MUSIQUE)" by SPICE, SPICE FEAT. MELISSA MUSIQUE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ORVILLE BURRELL, OLAF STEPHEN BLACKWOOD, GRACE HAMILTON, and others.

Format

USCountry
VPRRegistrant
21Year (2021)
00205Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDIFFERENT SHIT (FEAT. MELISSA MUSIQUE)

People also ask

What is the ISRC for "DIFFERENT SHIT (FEAT. MELISSA MUSIQUE)" by SPICE?
The ISRC for "DIFFERENT SHIT (FEAT. MELISSA MUSIQUE)" by SPICE, SPICE FEAT. MELISSA MUSIQUE is USVPR2100205.
Who wrote "DIFFERENT SHIT (FEAT. MELISSA MUSIQUE)"?
"DIFFERENT SHIT (FEAT. MELISSA MUSIQUE)" was written by ORVILLE BURRELL, OLAF STEPHEN BLACKWOOD, GRACE HAMILTON, PAUL EDMUNDS, FERNANDEZ GRIFFITHS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USVPR2100205?

USVPR2100205 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DIFFERENT SHIT (FEAT. MELISSA MUSIQUE)" by SPICE, SPICE FEAT. MELISSA MUSIQUE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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