SOUND BOY KILLING album cover

ISRC

USVPR9300305

SOUND BOY KILLING

BARRY WHITE MEGA BANTONIDMEGA BANTONSANCHEZ
unmatchedNot yet matched in the MLC database

Last verified:

USVPR9300305 is the International Standard Recording Code (ISRC) for the recording “SOUND BOY KILLING by BARRY WHITE MEGA BANTON, ID, MEGA BANTON, SANCHEZ. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KEITH LAMAR WILLIAMS, MAURICE GEORGE JOHNSON.

Format

USCountry
VPRRegistrant
93Year (1993)
00305Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1993):
Last two digits of the reference year (1993). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KEITH LAMAR WILLIAMSComposerLyricist
MAURICE GEORGE JOHNSONComposerLyricist

MLC Song Code

SourcesNotesMusicBrainz2 sources

Verified on

People also ask

What is the ISRC for "SOUND BOY KILLING" by BARRY WHITE MEGA BANTON?
The ISRC for "SOUND BOY KILLING" by BARRY WHITE MEGA BANTON, ID, MEGA BANTON, SANCHEZ is USVPR9300305.
Who wrote "SOUND BOY KILLING"?
"SOUND BOY KILLING" was written by KEITH LAMAR WILLIAMS, MAURICE GEORGE JOHNSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USVPR9300305?

USVPR9300305 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SOUND BOY KILLING by BARRY WHITE MEGA BANTON, ID, MEGA BANTON, SANCHEZ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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