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I Get Wild/Wild Gravity album cover

ISRC

USWB10502907

I Get Wild/Wild Gravity

Song: I GET WILD: WILD GRAVITY

Talking Heads
matched
Released 1983-01-01

Last verified:

USWB10502907 is the International Standard Recording Code (ISRC) for the recording “I Get Wild/Wild Gravity” by Talking Heads, released 1983-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BYRNE DAVID, JERRY HARRISON, FRANTZ CHRISTOPHER, and others.

Format

USCountry
WB1Registrant
05Year (2005)
02907Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BYRNE DAVIDComposer
JERRY HARRISONComposer
FRANTZ CHRISTOPHERComposer
MARTINA WEYMOUTHComposer
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "I Get Wild/Wild Gravity" by Talking Heads?
The ISRC for "I Get Wild/Wild Gravity" by Talking Heads is USWB10502907.
Who wrote "I Get Wild/Wild Gravity"?
"I Get Wild/Wild Gravity" was written by BYRNE DAVID, JERRY HARRISON, FRANTZ CHRISTOPHER, MARTINA WEYMOUTH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWB10502907?

USWB10502907 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I Get Wild/Wild Gravity” by Talking Heads. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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