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DON'T DO IT FOR YOU NO MORE album cover

ISRC

USWB12004220

DON'T DO IT FOR YOU NO MORE

PARTYNEXTDOOR
unmatchedNot yet matched in the MLC database
Released 2020-10-16

Last verified:

USWB12004220 is the International Standard Recording Code (ISRC) for the recording "DON'T DO IT FOR YOU NO MORE" by PARTYNEXTDOOR, released 2020-10-16. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JUSTIN WALKER, ANDRE CARNELL ROBERTSON, CARDELL DENARD MCMANUS, and others.

Format

USCountry
WB1Registrant
20Year (2020)
04220Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCDON'T DO IT FOR YOU NO MORE
IPIJUSTIN WALKER

People also ask

What is the ISRC for "DON'T DO IT FOR YOU NO MORE" by PARTYNEXTDOOR?
The ISRC for "DON'T DO IT FOR YOU NO MORE" by PARTYNEXTDOOR is USWB12004220.
Who wrote "DON'T DO IT FOR YOU NO MORE"?
"DON'T DO IT FOR YOU NO MORE" was written by JUSTIN WALKER, ANDRE CARNELL ROBERTSON, CARDELL DENARD MCMANUS, MAULIK SMITH, ANTHONY CHATMAN, JAHRON BRAITHWAITE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWB12004220?

USWB12004220 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DON'T DO IT FOR YOU NO MORE" by PARTYNEXTDOOR. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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