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ISRC

USWB12205358

GLORIA (LIVE AT THE FILLMORE, 1997)

TOM PETTYTOM PETTY AND THE HEARTBREAKERSTOM PETTY & THE HEARTBREAKERS

USWB12205358 is the International Standard Recording Code (ISRC) for the recording "GLORIA (LIVE AT THE FILLMORE, 1997)" by TOM PETTY, TOM PETTY AND THE HEARTBREAKERS, TOM PETTY & THE HEARTBREAKERS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by V. MORRISON.

Format

USCountry
WB1Registrant
22Year (2022)
05358Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

V. MORRISONComposer
UNICHAPPELL MUSIC, INC. OriginalPublisher100.00%IPI: 00055032802

Who publishes this song?

UNICHAPPELL MUSIC, INC.OriginalPublisher
IPI: 00055032802

People also ask

What is the ISRC for "GLORIA (LIVE AT THE FILLMORE, 1997)" by TOM PETTY?
The ISRC for "GLORIA (LIVE AT THE FILLMORE, 1997)" by TOM PETTY, TOM PETTY AND THE HEARTBREAKERS, TOM PETTY & THE HEARTBREAKERS is USWB12205358.
Who wrote "GLORIA (LIVE AT THE FILLMORE, 1997)"?
"GLORIA (LIVE AT THE FILLMORE, 1997)" was written by V. MORRISON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
SourcesMLC

About This ISRC

USWB12205358 is an International Standard Recording Code (ISRC) that uniquely identifies this specific sound recording. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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