SCARED TO START album cover

ISRC

USWB12400001

SCARED TO START

MICHAEL MARCAGI
matched

Last verified:

USWB12400001 is the International Standard Recording Code (ISRC) for the recording "SCARED TO START" by MICHAEL MARCAGI. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANDREW YORIO, MICHAEL MARCAGI.

Format

USCountry
WB1Registrant
24Year (2024)
00001Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

ANDREW YORIOComposerLyricist
POST SURGERY SPRITE MUSIC OriginalPublisherIPI: 01053573568
MICHAEL MARCAGIComposerLyricist
SONY/ATV SONGS LLC OriginalPublisherIPI: 00187062752

Who publishes this song?

POST SURGERY SPRITE MUSICOriginalPublisher
IPI: 01053573568
SONY/ATV SONGS LLCOriginalPublisher
IPI: 00187062752
SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "SCARED TO START" by MICHAEL MARCAGI?
The ISRC for "SCARED TO START" by MICHAEL MARCAGI is USWB12400001.
Who wrote "SCARED TO START"?
"SCARED TO START" was written by ANDREW YORIO, MICHAEL MARCAGI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWB12400001?

USWB12400001 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SCARED TO START" by MICHAEL MARCAGI. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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