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STUPID IN LOVE (Dabin remix) album cover

ISRC

USWB12401329

STUPID IN LOVE (Dabin remix)

Song: STUPID IN LOVE

MAXHUH YUNJIN of LE SSERAFIM
unmatchedNot yet matched in the MLC database

Last verified:

USWB12401329 is the International Standard Recording Code (ISRC) for the recording “STUPID IN LOVE (Dabin remix)” by MAX, HUH YUNJIN of LE SSERAFIM. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MAXWELL GEORGE SCHNEIDER, NOLAN WINFIELD SIPE, IMAD ROYAL, and others.

Format

USCountry
WB1Registrant
24Year (2024)
01329Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSTUPID IN LOVE (Dabin remix)
IPIMAXWELL GEORGE SCHNEIDER

People also ask

What is the ISRC for "STUPID IN LOVE (Dabin remix)" by MAX?
The ISRC for "STUPID IN LOVE (Dabin remix)" by MAX, HUH YUNJIN of LE SSERAFIM is USWB12401329.
Who wrote "STUPID IN LOVE (Dabin remix)"?
"STUPID IN LOVE (Dabin remix)" was written by MAXWELL GEORGE SCHNEIDER, NOLAN WINFIELD SIPE, IMAD ROYAL, CODY DEAR, HUH YUNJIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWB12401329?

USWB12401329 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “STUPID IN LOVE (Dabin remix)” by MAX, HUH YUNJIN of LE SSERAFIM. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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