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ISRC

USWB12401611

BACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)

Song: BACK AT YOUR DOOR

ORVILLE PECK
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Last verified:

USWB12401611 is the International Standard Recording Code (ISRC) for the recording "BACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)" by ORVILLE PECK. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DEBORAH NICOLE DAWSON, DANIEL PITOUT, CASEY SMITH, and others.

Format

USCountry
WB1Registrant
24Year (2024)
01611Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCBACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)
IPIDEBORAH NICOLE DAWSON

People also ask

What is the ISRC for "BACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)" by ORVILLE PECK?
The ISRC for "BACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)" by ORVILLE PECK is USWB12401611.
Who wrote "BACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)"?
"BACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)" was written by DEBORAH NICOLE DAWSON, DANIEL PITOUT, CASEY SMITH, SAM WITTE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWB12401611?

USWB12401611 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "BACK AT YOUR DOOR (ORVILLE PECK X DEBBIE DAWSON)" by ORVILLE PECK. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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