"""PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)""" album cover

ISRC

USWD10321180

"""PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)"""

VARIOUS ARTISTS
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Last verified:

USWD10321180 is the International Standard Recording Code (ISRC) for the recording """"PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)"""" by VARIOUS ARTISTS. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by RANDALL S NEWMAN.

Format

USCountry
WD1Registrant
03Year (2003)
21180Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC"""PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)"""

People also ask

What is the ISRC for """"PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)"""" by VARIOUS ARTISTS?
The ISRC for """"PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)"""" by VARIOUS ARTISTS is USWD10321180.
Who wrote """"PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)""""?
""""PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)"""" was written by RANDALL S NEWMAN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWD10321180?

USWD10321180 is an International Standard Recording Code (ISRC) that uniquely identifies the recording """"PUTTING BOO BACK (FROM """"MONSTERS, INC.""""/SCORE)"""" by VARIOUS ARTISTS. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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