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Life’s a Happy Song Finale album cover

ISRC

USWD11158968

Life’s a Happy Song Finale

Song: LIFE'S A HAPPY SONG FINALE

Jason SegelAmy AdamsChris CooperThe Muppets
unmatchedNot yet matched in the MLC database

Last verified:

USWD11158968 is the International Standard Recording Code (ISRC) for the recording "Life’s a Happy Song Finale" by Jason Segel, Amy Adams, Chris Cooper, The Muppets. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
WD1Registrant
11Year (2011)
58968Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

BRET MCKENZIEComposer
FUZZY MUPPET OriginalPublisher100.00%IPI: 00468384021

Who publishes this song?

FUZZY MUPPETOriginalPublisher
IPI: 00468384021

MLC Song Code

L8016Z
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SourcesMusicBrainzNotesMLC3 sources

Verified on

People also ask

What is the ISRC for "Life’s a Happy Song Finale" by Jason Segel?
The ISRC for "Life’s a Happy Song Finale" by Jason Segel, Amy Adams, Chris Cooper, The Muppets is USWD11158968.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWD11158968?

USWD11158968 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Life’s a Happy Song Finale" by Jason Segel, Amy Adams, Chris Cooper, The Muppets. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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